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Grand Piano Series Presents Geneva Lewis
April 27 @ 7:30 pm - 10:00 pm$45 – $50
This concert gives us two worlds of the violin: the revered and well-known large form – sonata, and free-styled miniatures. Debussy’s and Brahms’ sonatas are pinnacles of the compositional genius of both masters, drawing us into exquisite universes of each of their respective styles, Impressionistic & Romantic. Between these masterpieces, we’ll discover a seldom-heard gem of Messian, an iconic song by Faure, and the music of the now – Auerbach and Montgomery. A sophisticated and well-balanced program is sure to capture your imagination and provide an excellent soundtrack for the contemplation of beauty.
Debussy: Violin Sonata
Messiaen: Theme and Variations
Faure: Apres un Reve
Brahms: Sonata No. 3 in d minor, Op.108
New Zealand-born violinist Geneva Lewis has forged a reputation as a musician of consummate artistry whose performances speak from and to the heart. Hailed by conductor Nic McGegan as “a name to watch,” Geneva is the recipient of a 2021 Avery Fisher Career Grant and Grand Prize winner of the 2020 Concert Artists Guild Competition. Other recent accolades include Kronberg Academy’s Prince of Hesse Prize and being named a Finalist at the 2018 Naumburg Competition, a Performance Today Young Artist in Residence, and Musical America’s New Artist of the Month.
After her solo debut at age 11 with the Pasadena Symphony, Geneva has gone on to perform with orchestras around the world, including recent and forthcoming appearances with Orpheus Chamber Orchestra, Auckland Philharmonia, Sarasota Orchestra, Pensacola Symphony, Augusta Symphony, and Duluth Superior Symphony Orchestra. She has worked with a number of notable conductors, including Nic McGegan, Edwin Outwater, and Michael Feinstein, and looks forward to collaborations with Giordano Bellincampi, Sameer Patel, Peter Rubardt, and Dirk Meyer. In recital, recent and upcoming highlights include performances at Wigmore Hall, the Concertgebouw, Tippet Rise, Emory University, Purdue Convocations, Kravis Center, and Myra Hess, among others.
While Geneva’s claim to chamber music fame came early on as a member of the renowned Lewis Family Trio with her siblings Nathan (piano) and Rochelle (cello), she has since established the Callisto Trio, Artist-in-Residence at the Da Camera Society in Los Angeles. Callisto received the Bronze Medal at the Fischoff Competition as the youngest group to ever compete in the senior division finals. They were recently invited on the Masters on Tour series of the International Holland Music Sessions and performed at the celebrated Het Concertgebouw Amsterdam.Deeply passionate about collaboration, Geneva has had the pleasure of performing with such prominent musicians as Atar Arad, Efe Baltacigil, Glenn Dicterow, Miriam Fried, Ilya Kaler, Michael Kannen, Kim Kashkashian, Ida Kavafian, Marcy Rosen, Mitsuko Uchida, and the Borromeo String Quartet, among others.
An advocate of community engagement and music education, Geneva was selected for the New England Conservatory’s Community Performances and Partnerships Program’s Ensemble Fellowship, through which her string quartet created interactive educational programs for audiences throughout Boston. Her quartet was also chosen for the Virginia Arts Festival Residency, during which they performed and presented masterclasses in elementary, middle, and high schools.
Geneva is currently in the Artist Diploma program as the recipient of the Charlotte F. Rabb Presidential Scholarship at the New England Conservatory studying with Miriam Fried. Past summers have taken her to the Marlboro Music Festival, Ravinia Steans Institute, Perlman Music Program’s Chamber Workshop, International Holland Music Sessions, Taos School of Music and the Heifetz International Music Institute.
Geneva is performing on a violin by Zosimo Bergonzi of Cremona, c. 1770 courtesy of Guarneri Hall NFP and Darnton & Hersh Fine Violins, Chicago. (Replaces above paragraph for Spring 2021 and 2022 only: Geneva is currently performing on the “Joachim-Ma” Stradivarius, c. 1714, on generous loan from the New England Conservatory.)